- In Powers of Horror philosopher Julia Kristeva describes the idea with which she’s most closely identified, the abject, the intense horror our subjective psychology—and our bodies—experience when faced with corporeal reality: the edges of our body: filth, vomit, shit, blood, death: the me that is not me. Breakdown of subject and object: abject.
Julia Kristeva shows up as a character, a phantom from a photograph in Roberto Bolaño’s story “Labyrinth,” collected in The Secret of Evil, new from New Directions.
(Can there be a more Bolañoesque title than “Labyrinth”?)
This is ostensibly a review of that Bolaño collection, but I’ll be riffing on some other things.
Bolaño created his own genre. His oeuvre, piecemeal and posthumous at times, is nevertheless a complete fiction or discourse of its own. Think of the Bolañoverse like Middle Earth, like Yoknapatawpha County, like dark Narnia with no Aslan to redeem it.
The Bolañoverse is abject. Consider the…
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